Liverpool Striker Claims 9/11 Was Work of Illuminati, Not Terrorists

Liverpool is investigating one if its players for writing controversial statements on Twitter about 9/11 Sunday. In a tweet that was deleted Tuesday, 20-year-old striker Nathan Eccleston wrote,

“I aint going to say attack don’t let the media make u believe that was terrorist that did it. #O.T.I.S.”

O.T.I.S. stands for “Only The Illuminati Succeed,” which is an allusion to the Illuminati secret society. Conspiracy theorists believe the Illuminati are behind many of the large events that control the world. If the tweets sound familiar, it’s because they should.

Pittsburgh Steelers running back Rashard Mendenhall was criticized for doubting if planes were responsible for bringing down the twin towers on 9/11. He later tried to issue a “clarification” and ended up being dropped by an endorser.

Eccleston has not apologized or attempted a clarification the way Mendenhall did. Instead, the defiant youngster followed up his initial tweet by telling his followers,

“If you don’t like what I have to say un follow me !!” He then backed off somewhat by saying “Some things get took way out of context…”

Eccleston is saying bin Laden was a member of the Illuminati.

A Liverpool Football Club spokesman says,

“The club takes this matter extremely seriously and senior club officials have informed Nathan Eccleston that we are undertaking an investigation into the circumstances surrounding these postings and will decide on an appropriate course of action.”

It’s interesting to see the way athletes handled 9/11. There were guys like Lance Briggs who wore tribute gear, a few players even had 9/11 tribute haircuts, and even foreign athletes like Novak Djokovic showed their support for America. And then you have Nathan Eccleston questioning who’s responsible for the horrific act. He shouldn’t be surprised if he ends up punished by the club.

Source:

Muslim Well Known People In Pakistan Links With Freemasonry

The list in red confirms as a freemason and the list in blue confirms links with freemasons but can not be confirmed if the person himself is a freemason.

– Sultan Mohammad Shah, Aga Khan (One of the founder and the first president of All Muslim league)
– Syed Ahmed Ali Khan (The educator, politician, and islamic reformer)
– Allama iqbal (Muslim poet and philosopher)
– Muhammed Ali Jinnah (Politician lawyer and the leader of Pakistan)

So we have a small list of peoples of Pakistan so now we need a list from other Muslim nations such as Turkey, Syria,  Jordan, Egypt etc.

Source :

 

 

Lady Gaga’s “Judas” and the Age of Horus

By VC

Lady Gaga’s “Judas” video is a modern retelling of biblical stories, where Jesus and his disciples are portrayed as a biker gang. But don’t mistake the video for a Bible lesson as it twists and turns important scenes to give them a very different meaning. In fact, it can be argued that the video symbolically describes an important aspect of Gaga’s work and of society in general: a rejection of Christianity in order to make way to what has been called the Age of Horus. This article will look at the origins and the symbols found in Lady Gaga’s “Judas”.

When I first watched Judas, I immediately told myself:

“There is no use to write about this, it is simply too obvious”.

I mean Gaga is in love with Judas … and Judas betrayed Jesus. It is a direct continuation of Gaga’s anti-Christian and pro-Illuminati theme through symbols, as described in previous articles. What can I add to it that hasn’t been said? So I ignored the video … until I began receiving e-mails. Tons of them. Many people did not understand the message of the video, some did not get the Biblical references and the way they were twisted to communicate a new message; other simply did not know who Judas was. As it is symbolic on many levels, I realized that decoding this video could help many readers — who I call my “Little Vigis” (No.). The video doesn’t only summarize the underlying spiritual message found in Gaga’s work, but it describes an important phenomenon happening in society in general – a phenomenon that is part of the Illuminati agenda: the “de-holyfication” of traditional religions.

In her recent interviews, Gaga has given several interpretations of the song. In an interview with E! Online she said that it was not meant as an attack of Christianity:

“I don’t view the video as a religious statement, I view it as social statement. I view it as a cultural statement.”

On Amp Radio Gaga explained that:

“It’s about falling in love with the wrong man over and over again.”

In another interview with Google, Gaga went deeper into the philosophical theme of the song, which is in accordance with the teachings of some occult schools we’ll describe later.

“The song is about honoring your darkness in order to bring yourself into the light. You have to look into what’s haunting you and need to learn to forgive yourself in order to move on.”

The videos for Gaga’s songs Alejandro (analyzed here) and Born This Way (analyzed here) communicated specific spiritual messages through meanings and symbols. Traditional religious symbols are stripped of their “holy aura” while other symbols, inspired by those of the Illuminati, are introduced and glorified to her young viewers. Of course, this phenomenon does not happen only in Gaga’s works, but is a trend in mass media in general. Aleister Crowley, an occultist who remains an incredibly influential figure in the entertainment industry, claimed the Age of Horus, a new stage in human history, would be defined by the abandonment of traditional religions in order to embrace a new kind of spirituality (read the full article on Crowley here). The same vision for a “new Aeon” is shared by the world elite, where its plans for a New World Order heavily rely on the existence of a single world religion, based on a specific set of values that are compatible with is Agenda. Mass media plays an important role in this paradigm shift – and the results are astonishing. In less than a century, the Western World has witnessed a drastic decline in religious faith, especially Christian. Never such a profound societal change happened in such a short period of time. Of course, Gaga herself is not responsible for this drastic shift, but Judas, in its meaning and symbolism, perfectly describes the transitional period we are going through, as society is taken to, in Crowley’s words, the Age of Horus.

It is therefore in this social and religious context that Judas was released. First seen riding with Jesus, Gaga goes into a transition and falls for Judas, the man who ultimately caused the death of Jesus. Gaga’s conversion is symbolic of society in general, where the altruistic tenets of Christianity have been replaced by a more “self-celebrating” philosophy – embodied in the video by the character of Judas. In short, the story symbolizes the passage towards Crowley’s Age of Horus, and Gaga’s “Eye of Horus” makeup effectively seems to emphasize this point. As seen in previous articles, Gaga is no stranger to Crowley’ philosophy (her Manifesto at the beginning of Born This Way is heavily inspired by his Thelema). This philosophy is, in turn, the basis of the new kind of spirituality that is sold to the masses through media.

To explain Judas, I need to “get Biblical” because the song and the video are heavily inspired by Biblical verses. So, before we get into it, let’s start by understanding the main character: Judas.

Who was Judas?

Judas Iscariot was one of Jesus’ twelve disciples. Due to his money-management skills, he was put in charge of the group’s money box. Despite having chosen him to become his follower, Jesus knew from the start that Judas would eventually betray him. At one point he even refers to him as “the devil”.

70 Jesus replied, “Didn’t I choose you, the twelve, and yet one of you is the devil?” 71 (Now he said this about Judas son of Simon Iscariot, for Judas, one of the twelve, was going to betray him.)
– John 6:70-71

During his time as a disciple, Judas had some “issues” with Jesus, causing him to stir up trouble within the group. An important event involving Judas happened during the washing of Jesus’ feet by Mary Magdalene using expensive ointments. Offended by what he called a waste of money, Judas protested and even caused other disciples complain. This is one of the Biblical passages that was recreated (with a significant twist) in Gaga’s video:

12:1 Then, six days before the Passover, Jesus came to Bethany, where Lazarus lived, whom he had raised from the dead. 2 So they prepared a dinner for Jesus there. Martha was serving, and Lazarus was among those present at the table with him. 3 Then Mary took three quarters of a pound of expensive aromatic oil from pure nard and anointed the feet of Jesus. She then wiped his feet dry with her hair. (Now the house was filled with the fragrance of the perfumed oil.) 4 But Judas Iscariot, one of his disciples (the one who was going to betray him) said, 5“Why wasn’t this oil sold for three hundred silver coins and the money given to the poor?” 6 (Now Judas said this not because he was concerned about the poor, but because he was a thief. As keeper of the money box, he used to steal what was put into it.) 7 So Jesus said, “Leave her alone. She has kept it for the day of my burial. 8 For you will always have the poor with you, but you will not always have me!”
– John 12:1-8

Shortly after this incident, Judas meets with the chief priests of Israel – the ones who were trying to “bring down” Jesus – and strikes a deal. He would betray and hand over Jesus to the Pharisees and the police force in exchange for thirty silver coins:

26:14 Then one of the twelve, the one named Judas Iscariot, went to the chief priests 15 and said, “What will you give me to betray him into your hands?” So they set out thirty silver coins for him.
– Matthew 26:14-15

During the Last Supper, Jesus tells his disciples that one of them would betray him and reveals it would be Judas:

13:21 When he had said these things, Jesus was greatly distressed in spirit, and testified, “I tell you the solemn truth, one of you will betray me.” 22 The disciples began to look at one another, worried and perplexed to know which of them he was talking about. 23 One of his disciples, the one Jesus loved, was at the table to the right of Jesus in a place of honor. 24 So Simon Peter gestured to this disciple to ask Jesus who it was he was referring to. 25 Then the disciple whom Jesus loved leaned back against Jesus’ chest and asked him, “Lord, who is it?” 26Jesus replied, “It is the one to whom I will give this piece of bread after I have dipped it in the dish.” Then he dipped the piece of bread in the dish and gave it to Judas Iscariot, Simon’s son.
– John 13:21-26

At this moment, it is said that Satan possessed Judas:

13:27 And after Judas took the piece of bread, Satan entered into him. Jesus said to him, “What you are about to do, do quickly.”
– John 13:27

Judas then leads the chief priests and the police to Jesus, identifying him with a kiss:

14:43 Right away, while Jesus was still speaking, Judas, one of the twelve, arrived. With him came a crowd armed with swords and clubs, sent by the chief priests and experts in the law and elders. 44 (Now the betrayer had given them a sign, saying, “The one I kiss is the man. Arrest him and lead him away under guard.”) 45 When Judas arrived, he went up to Jesus immediately and said, “Rabbi!” and kissed him. 46 Then they took hold of him and arrested him.
– Mark 14:43-46

After Jesus’ condemnation, Judas regretted his betrayal and sought to reverse his actions by returning the money, but it was too late and he commits suicide:

27:3 Now when Judas, who had betrayed him, saw that Jesus had been condemned, he regretted what he had done and returned the thirty silver coins to the chief priests and the elders, 4 saying, “I have sinned by betraying innocent blood!” But they said, “What is that to us? You take care of it yourself!” 5 So Judas threw the silver coins into the temple and left. Then he went out and hanged himself.
– Matthew 27:3-5

Most of the passages described above are recreated in the video, but they are given a twist, where roles and symbols are reversed, effectively changing the fundamental meaning of the Biblical stories. As a result, the video ends with a very different “moral of the story”.

Gaga as Mary Magdalene

The video portrays Jesus and his disciples as a biker gang riding around with skull-and-bone insignias on their backs (nice touch). Gaga is riding with Jesus, playing the role of Mary Magdalene.

Although it is not clearly specified in the Bible, Mary Magdalene is said to be the prostitute who was about to get stoned to death by an angry mob until Jesus came along and said: “Y’all country-ass, donkey-riding peasants better drop them rocks and go on home before things get REAL ugly up in here”. Wait, that’s what Samuel L. Jackson would have said. Jesus actually said: “Let he who is without sin cast the first stone”.

At the very end of Judas, Gaga is seen stoned to death, insinuating that Jesus was not there to save her.

Gaga as Mary Magdalene stoned to death. In Judas, Jesus has failed to save Gaga. Also, does this scene portray Gaga being persecuted by people who are offended by her music?

So Gaga plays the role of Mary Magdalene where Magdalene is not only the friend and disciple of Jesus, but his lover. This portrayal of Mary Magdalene as Jesus’ mate became popular in the past few decades with books such as The Jesus Scroll (1972), Holy Blood, Holy Grail (1982), The Gospel According to Jesus Christ (1991), The Da Vinci Code (2003), The Two Marys: The Hidden History of the Mother and Wife of Jesus (2007); and by films like Bloodline (2008). These alternative accounts on Jesus Christ’s life originate from modern interpretations of Gnostic and apocryphal texts (mainly the Nag Hammadi) where Magdalene is described as Jesus’ “favorite disciple” and “companion”. An interpretation of the apocryphal Gospel of Philip even alludes to Jesus “often kissing Mary Magdalene on the lips”.

Some occult circles believe that Jesus lived well beyond the age of 33 (a number they believed was selected for symbolic reasons). Some claim that Jesus married Mary Magdalene with whom he had a daughter named Sarah. Some even claimed that they moved to Southern France, where they started the fabled Merovingian Bloodline.

Judas therefore portrays Mary Magdalene from this angle, where Gaga is the wife of Jesus. However, she only has eyes for Judas.

The Video

The video begins with Gaga riding with Jesus, yelling in his ear “Judas Juda-ah-as”, almost as if it was an incantation. Usually, when your girl yells the name of some other dude right in your ear, it means something’s up.

From a spiritual point of view, Gaga was “riding with Jesus” – representing the embrace of Christianity – until she fell in love with Judas – a force that is opposed to it. But what kind of force are we referring to? Is it the elite’s peculiar brand of occultism, mainly represented by the symbol of the Eye of Horus?

Yes, as stated in previous articles, hiding one eye refers to the Eye of Horus. I don’t see how Gaga can make this clearer for you.

In the video, Jesus is shown doing good deeds and healing people while Judas is pretty much a douche bag, getting drunk and grabbing women all over the place. Yet Gaga is in love with him. The character of Judas is an embodiment of Crowley’s saying “Do What Thou Wilt” – or Lavey’s Church of Satan concept of hyper-egoism, where the fulfillment of one’s desires is seen as a basic requirement to true enlightenment. Gaga is seduced by and identifies with the values embodied by Judas’ and is therefore in love with him. By doing so, she turns her back on Jesus’ altruism and selflessness.

The recreation of Mary Magdalene washing of Jesus feet…with the addition of Judas drinking a beer with a non-approving look.

One scene recreates Mary Magdalene’s washing of Jesus feet which, as seen above, made Judas angry and jealous. In the video’s version of the story, Judas is however right there with Jesus, his naked feet next to his, apparently also ready to get this treatment reserved for great people. Judas is therefore not simply a disciple of Jesus, but his equal. Afterwards, Judas, being the self-centered jerk that he is, spills his beer on Gaga … but Gaga loves him that way. The first lyrics of the song describe this reversal from the Biblical story, where Judas is the one getting washed by Gaga.

When he calls to me, I am ready
I’ll wash his feet with my hair if he needs
Forgive him when his tongue lies through his brain
Even after three times, he betrays me

“I’m on your side Judas, you’re the best”.

Later in the video, there appears to be some kind of showdown between Jesus and Judas. Gaga – who is still Jesus’ lover – goes to Judas holding a golden gun, apparently to kill the one who would betray her spouse. Instead of a bullet, the gun “shoots out” lipstick. Gaga puts it on Judas’ mouth as if saying “go ahead and kiss Jesus, you have my blessing”.

Gaga does not simply reject Jesus, she is an active agent in his bringing down. One of her eye is hidden, confirming that this is part of the Illuminati agenda (bringing down religions).

Judas giving Jesus the kiss of death.

The song also describes Gaga’s participation in “bringing Jesus down”:

I’ll bring him down, bring him down, down
A king with no crown, king with no crown

The “king with no crown” is more than likely Jesus, who is wearing during the entire video the Crown of Thorns. In Biblical accounts, that painful crown was put on his head by soldiers before his crucifixion in order to humiliate the one who claimed to be the “King of the Jews”.

Right after Gaga’s “official” taking sides with Judas, she is shown in a symbolic “cleansing” or “baptizing” scene.

Is this a reference to the great whore of Babylon who is said to “sit on many waters”? There is another reference to the Great Whore in the video.

So, despite Jesus’ virtuous deeds, Gaga is attracted to Judas. The Betrayer is portrayed as a rowdy, egoistical and devious being, which is not surprising since it is stated that Judas was possessed by Satan at the time he betrayed Jesus. Judas personifies the antithesis of Jesus’ selfless ways and represents the self-centered philosophy described by modern occultists such as Aleister Crowley whose philosophical tenets, describes the self as “the center of the universe”. Anton Lavey’s Satanic Bible describes the need for a “new religion” based on man’s earthly needs.

Past religions have always represented the spiritual nature of man, with little or no concern for his carnal or mundane needs. They have considered this life but transitory, and the flesh merely a shell; physical pleasure trivial, and pain a worthwhile preparation for the “Kingdom of God”. How well the utter hypocrisy comes forth when the “righteous” make a change in their religion to keep up with man’s natural change! The only way that Christianity can ever completely serve the needs of man is to become as Satanism is NOW.

It has become necessary for a NEW religion, based on man’s natural instincts, to come forth. THEY have named it. It is called Satanism.
– Anton Lavey, The Satanic Bible

Gaga, playing  Mary Magdalene, is attracted to Judas’ ways. She not only “converts” to his side but also effectively brings Jesus down. This attraction to the “dark side” is summed up in these simple words:

I wanna love you,
But something’s pulling me away from you
Jesus is my virtue,
Judas is the demon I cling to

Other Details in the Video

Other apparently meaningless symbols in Judas help decoding the full meaning of the video.

Why does this purple garb particularly stand out? Is this a reference to the Whore of Babylon who is said to be “clothed in purple and scarlet colour, and decked with gold and precious stones and pearls”? Crowley was also fascinated with the Great Whore, naming his scarlet women “Babalon”.

Why is the weapon randomly shown in the video? Is it because it is called a Morning Star, a name attributed to Jesus and…Lucifer?

While Gaga is singing “I’m in love with Judas” one of the dancers is wearing a shirt bearing an inverted pentacle surrounded by Hebrew script. This symbol is used the Sigil of Baphomet, the symbol identifying Lavey’s Church of Satan.

In Conclusion

Going beyond  simple shots at Christianity for pure shock value, Judas summarizes the underlying spiritual messages found in Lady Gaga’s works which are, in turn, a reflection of the elite’s philosophy that needs to be taught to the masses. Whether it is intentional or not, Judassymbolizes the spiritual shift of humanity as it enters what is  “the Age of Horus”. Crowley considered the last two thousand years to be the Age of Osiris, ruled by Christianity’s “emphasis on death, suffering, sorrow and the denial of the body”. He however considered this era to be necessary to give birth to the Age of Horus, whose Aeon would lead humanity to a new kind of spirituality. Other esoteric schools describe this shift in different words. Some describe it as the Age of Aquarius taking the place of the Age of Pisces, which was dominated by Christianity (they say Jesus was associated with the symbol of the fish because he ruled the Age of Pisces). Is this the reason Gaga’s words refer to the “future of culture”?

In the most Biblical sense,
I am beyond repentance
Fame, hooker, prostitute wench vomits her mind
But in the cultural sense
I just speak in future tense

Whether the general population subscribes to these esoteric predictions or not, it certainly is “following the script” that was laid out. The same way Lady Gaga was eyeing Judas while riding with Jesus, society as a whole has let go of the core tenets of Christianity to embrace a philosophy that is compatible with Crowley’s Thelema. Even if most people do not even know what is the Thelema, they live by it on a daily basis. That being said, organized religions and the elite are not necessarily opposite forces. Religions and religious sects have often been used as tools of the political elite to divide-and-conquer countries and to oppress and to manipulate the masses. Times have however changed and, today, the Illuminati is looking to unite the world under a single world government and a single world religion. This religion’s values are based on egoism, materialism and the sexualization of pretty much everything. Most music videos, movies and TV shows subtly celebrate these values. In other words, they want you to be in love with Judas.

 

Bilderberg mystery: Why do people believe in cabals?

Ordinary people can only guess at the goings-on at the meetings of the secretive Bilderberg Group, which is bringing together the world’s financial and political elite this week. Conspiracy theories abound as to what is discussed and who is there. Why, asks Tom de Castella?

The belief in secret cabals running the world is a hardy perennial. And on Thursday perhaps the most controversial clandestine organisation of our times – the Bilderberg Group – is meeting behind closed doors.

In the manner of a James Bond plot, up to 150 leading politicians and business people are to gather in a ski resort in Switzerland for four days of discussion about the future of the world.

Previous attendees of the group, which meets once a year in a five-star hotel, are said to have included Bill Clinton, Prince Charles and Peter Mandelson, as well as dozens of company CEOs.

First meeting in 1954, the aim was to shore up US-European relations and prevent another world war. Now under the group’s leadership of former US Secretary of State Henry Kissinger and one-time EU vice president, Viscount Davignon, the aim is purportedly to allow Western elites to share ideas.

Meaning of cabal

• The use of the world cabal to mean a “secret or private intrigue of a sinister character formed by a small body of persons; ‘something less than conspiracy’ (Ben Johnson)”, was first used in 1660
• Thirty years earlier, it was first used to mean secret
• From “cabala” – Jewish mystical tradition

Source: Oxford English Dictionary

But conspiracy theorists have accused it of everything from deliberately engineering the credit crunch to planning to kill 80% of the world population. Longtime opponent and US radio host Alex Jones, heckled one meeting through a megaphone:

“We know you are ruthless. We know you are evil. We respect your dark power.”

Part of the reason for alarm is the group’s secretive working methods. Names of attendees are not usually released before the conference, meetings are closed to the public and the media, and no press releases are issued.

The gnashing of teeth over Bilderberg is ridiculous, says Times columnist David Aaronovitch.

“It’s really an occasional supper club for the rich and powerful,” he argues.

Denis Healey, co-founder of the group, told the journalist Jon Ronson in his book Them that people overlook the practical benefits of informal networking.

“Bilderberg is the most useful international group I ever attended,” he told him. “The confidentiality enabled people to speak honestly without fear of repercussions.”

So why do groups like this cause so much alarm? Aaronovitch, who wrote the 2009 book Voodoo Histories, says plots to install a new world order have traditionally been a conspiracy fantasy.

“They tend to believe that everything true, local and national is under threat from cosmopolitan, international forces often linked to financial capitalism and therefore, also often, to Jewish interests.”

Photo : Former European Commissioner Viscount Davignon heads the Bilderberg Group

Secret cabals extend beyond the Bilderberg Group. The Illuminati, which derives from a 16th Century Bavarian secret society, is alleged to be an all powerful secret society, including US presidents, that has controlled major world events. The Freemasons – famous for their peculiar handshakes – is a secret fraternity society that has become more open in recent years after extensive criticism.

Photo : The Freemasons – famous for their peculiar handshakes

The charter of Hamas – the Islamist party governing Gaza – asserts that the Freemasons are in league with the Jews and those unlikely bully boys – the Rotary Club – to undermine Palestine.

John Hamill, spokesman for freemasonry’s governing body in England and Wales says the organisation is aware of Hamas’s allegation.

“There’s no truth in it, freemasonry is apolitical. It probably arises because one of our ceremonies is about the story of King Solomon’s Temple. For some reason Islamic governments translate that into Zionism.”

In fact, many conspiracy theories surrounding cabals hint at an anti-Semitic worldview. The Protocols of the Elders of Zion was a forged document, probably created by agents of Tsarist Russia, which appeared to show a Jewish plot to take over the world.

Despite being proved to be a fraud, the idea has been kept alive by anti-Semites and has spawned later versions. One of those, the Zionist Occupational Government, argues that countries have puppet governments but that the real power is held by Jewish interests.

“Start Quote

It’s much smarter than conspiracy – this is moulding the way people think so that it seems like there’s no alternative to what is happening”

End Quote Prof Andrew Kakabadse Bilderberg People

More recently, former sports journalist David Icke has proclaimed that the world is governed by alien, reptilian shape shifters. In other words, giant lizards.

There is obviously no right-wing monopoly on conspiracy theories. During the Monica Lewinsky scandal, Hilary Clinton blamed a “vast right-wing conspiracy” for her husband’s predicament. And more recently, some on the left have argued that the 9/11 attacks were organised by President Bush’s inner circle in order to invade Afghanistan and Iraq.

The politics of cabals has always been pretty muddled, says James McConnachie, co-author of the Rough Guide to Conspiracy Theories. These groups allow protesters to project their own fears onto them.

In the US, the most extreme fear over Bilderberg is of a hidden cabal run by the European Union and threatening American freedoms. In Europe, the view is often of a free market elite trying to push through a right-wing agenda.

“Conspiracy theories are quite blind to conventional notions of left and right,” says McConnachie. “The left is organising an international government. Meanwhile, global capitalism on the right may be doing the same thing by different means.”

For Aaronovitch what often triggers widespread cabal theories are moments of great upheaval.

 “It happens a lot when times are changing significantly. Whether, oddly, they are changing for better as well as for the worse. Why did McCarthyism happen at the time when US economy was growing faster than at any time in history?”

Society was in flux, the economy expanding rapidly and millions of servicemen were coming back from the war.

It’s not just the about social context. Some people are more susceptible than others to believing in wacky cabals, says Prof Chris French, of Goldsmith College’s psychology department.

“It’s people who tend to be alienated by the mainstream, who feel powerless. They have a need to have a sense of control.”

Not only do they not trust the government, they tend not to trust their neighbours either. And in the need for control, there may be links to the roots of religious belief, he says.

The conspiracy theorists may get overexcited but they have a point, says Prof Andrew Kakabadse, co-author of new book Bilderberg People.

Secret talks

• Bilderberg is named after the Dutch hotel where the first meeting took place in 1954
• The initial focus was the state of the trans-Atlantic alliance and the problems facing Europe and the US
• British Labour politician Denis Healey was a founding member
• An invitation list is compiled each year by a steering committee
• About 120 people from North America and Europe are invited. About one-third are from government and politics, and two-thirds from finance, industry, labour, education and communications
• Meetings often feature future political leaders shortly before they become household names. Bill Clinton went in 1991 while still governor of Arkansas, Tony Blair was there two years later while an opposition MP

The group has genuine power that far outranks the World Economic Forum, which meets in Davos, he argues. And with no transparency, it is easy to see why people are worried about its influence.

The agenda the group has is to bring together the political elites on both right and left, let them mix in relaxed, luxurious surroundings with business leaders, and let the ideas fizz.

It may seem like a glorified dinner party but that is to miss the point. “When you’ve been to enough dinner parties you see a theme emerging,” he says. The theme at Bilderberg is to bolster a consensus around free market Western capitalism and its interests around the globe, he says.

“Is this all leading to the start of the ruling the world idea? In one sense yes. There’s a very strong move to have a One World government in the mould of free market Western capitalism.”

Degree of nefariousness

Conventional critiques of alienated people seeking order in a chaotic world may well be true. But there’s more to it than that, McConnachie argues.

“The other explanation is more dangerous. That they are precisely right – they just over-egg the way they articulate it.”

The Bilderberg Group matches up to how a global conspiracy would work – a secretive body attempting to shape the direction of the world, he suggests.

“The only difference is the degree of nefariousness,” he says. “They tend to see this cabal as outright evil. When things are more nuanced than that.”

For all the tales of lizards running the world, we all owe a debt to conspiracy theorists, McConnachie argues.

“Occasionally you have to give credit to conspiracy theorists who raise issues that the mainstream press has ignored. It’s only recently that the media has picked up on the Bilderbergers. Would the media be running stories if there weren’t these wild allegations flying around?”

But Aaronovitch disagrees. Believing in cabals leads to certain groups being victimised and obstructs a rational view of the world.

“To have a strong belief in the Bilderberg Group means believing in a fantasy,” he says. “It suggests that there are people – like God – acting as a higher power. And it replaces the intolerable thought that there’s nothing at work at all, that the world is chaotic. It may be a form of therapy but it has people believing in an anti-scientific message.”

Source :  [One of mainstream media wing of Secret Societies]

 

PRINCESS OF THE ILLUMINATI [Video]

 

 

 

The Illuminati Assassination List [Video]

 

Osamacide – The Truth about the Osama bin Laden operation [Video]

It’s the end of an era. The decade which opened with a ferocious attack in the United States of America, closes with the announcement of the death of its greatest and most conveniently disney-like villain, Usama Bin Laden. In a decade which has been dominated by the Empire Strikes Back, our affable and dextrous host Robert Foster invites us to scrutinise the events shrouding the killing of this twentyfirst-century Goldstein. Joining him in this May retrospective are Rap News regulars, General Baxter, the Pentagon‘s most effusive spokesperson, attempting uncharacteristically to stay ‘on message’, and his counterpart from the world of alternative academia, the conspiracy industry’s favourite son, Terrence Moonseed. What actually happened in Abbotabad? Do the public have a right to see evidence of this event? What is Terrence wearing on his head? Was justice really served? What next? History is happening.

Natalia Kills’ “Zombie” and “Wonderland”: Dedicated to Illuminati Mind Control

In the last few years, the pop music scene has incorporated gradually increasing doses of Illuminati mind control symbolism in its music videos. Newcomer pop singer Natalia Kills is definitely another step in this direction. While other pop stars blend subversive symbolism with other themes and subjects matters, Natalia’s videos appear to solely focus on mind control imagery. We’ll look at Natalia Kills’ career videos “Zombie” and “Wonderland”.

Natalia Kills is an English singer-song writer who signed with will.i.am and Interscope Records. Not unlike other female pop stars, Natalia began working in the entertainment industry at a young age (7). In 2005, Natalia Kills was a rapper known as Verbalicious and released a single entitled Don’t Play Nice, a playful party-rap song with Natalia sporting a radically different style and image.

After being taken under the wing of Cherrytree Records, an Interscope imprint, her name changed to Natalia Kills, her musical style switched to electro-pop and her overall image became a lot darker, fashion-conscious and twisted. In other words, she morphed into an Illuminati pop star.

Although not at the same level of worldwide popularity, Natalia Kills is often compared to Lady Gaga. Though her fans probably don’t appreciate the comparison, there are indeed several similarities between the singers: They both began singing at a young age; they both signed with Interscope’s Cherry Tree Records; they both underwent an extreme metamorphosis after being signed becoming edgy and hyper-sexualized; both changed their artist names after signing with Cherry Tree; both worked with the same producers (count the shout outs to Cherry Cherry Boom Boom in their songs); and most significantly, both incorporate heavy occult and mind control imagery in their videos.

There is a slight difference in Natalia Kills’ world, however: believe it or not, the mind control imagery and symbolism is even more blatant. Her songs and videos can actually be read as a diary of a Monarch programming victim (for a detailed explanation of this term, please read the article Origins and Techniques of Monarch Mind Control).

Natalia’s world is dominated by the concepts of torture, oppression, sadistic handlers, violence, sexual abuse and drugs. In all three of her videos, Natalia is degraded and abused, always combining sex and violence (our two most primal instincts).

Reflections and fractured mirrors – symbolic of the fractured and fragmented personalities of mind control victims.

Natalia’s first single, Mirrors, flaunts all of the seemingly obligatory references to mind control through symbolism (fractured mirrors, caged heart, etc.) and BDSM (Bondage/Domination/Sadism/Masochism). However, it is her two subsequent singles, Zombie and Wonderland, that clearly associate Natalia with Monarch mind control (to those who understand Monarch symbolism, the names of the songs alone say it all). Let’s look at the symbolism of these two videos.

Zombie

Without the video, Zombie appears to be a song about being in love with a cold-hearted guy who does not return phone calls.  Aw. The setting of the video, however, definitely does not match this interpretation: Natalia is strapped to a table in what looks like a cold laboratory (mind-control facility?), and is controlled by an unseen person who is sadistically torturing her … and with whom Natalia is in love.

The video begins showing  lifeless, dismembered mannequins, a classic Monarch symbol representing the powerlessness of mind control slaves. This symbols is found in many other mind control-themed music videos.

A mask is meticulously removed from Natalia’s face. Masks are actually used on Monarch slaves to program and confuse them. They symbolically represent the slaves’ artificially created personas that can be put on and removed at the will of the handler. The handler’s rubber gloves only prove that Zombie is not about a relationship between lovers but between a slave and her programmer.

In this flash-scene, the handler is apparently plugging something into Natalia’s head  (a reference to electroshock?)

Torture tools used by her handler. This is video is definitely not about Natalia being in love with a “player”. In another scene the handler is shown with a syringe, which are used in mind-control to inject powerful hallucinogenics and sedatives into programming victims.

In the context of the video, it becomes clear that the lyrics are actually about the sick, twisted, forcibly generated infatuation felt by a slave towards her handler. The beginning of the song describe the relationship:

I’m in love with a zombie
Can’t keep his hands off me
I think he’s looking at me
But he’s looking right through me

You think you’re so cool boy
Blood rushing through my veins now
Do you want me for my body
Do you want me for my brain, brain, brain, brain

Can’t keep his hands off me is one of the references to the abusive nature of the sexual “relationship” between Natalia and her handler. The last two lines of this verse are actually the most chilling: Do you want me for my body/ Do you want me for my brain, brain, brain, brain. The handler, aka the zombie, actually wants her brain, meaning the ultimate goal is mind control. He is abusing her to cause trauma and dissociation, which psychologically creates alter personas, the ultimate goal of Monarch programming. The video makes it clear: We are definitely not talking about a pretty-boy player who does not return calls, but a sadistic, Josef Mengele-type figure. So the Zombie is a mind control handler and the song’s chorus is “I’m in love with a Zombie” … disturbingly wrong yet most listeners will never get the song’s true meaning (zombies are so cool, right?).

After witnessing this cold, robotic single, I had the feeling that Natalia’s subsequent videos would be nothing less than symbolism-fests, since new singers always push the blatantness a step further … guess I was right.

Wonderland

MK slave blinded to her reality with the focus on the color red, the color of sacrifice.

To those who know are familiar with mind control symbolism, the name of this single, Wonderland, is a dead giveaway that there will be more here than just music. Alice in Wonderland is the primary movie associated with Monarch programming, as it is an actual programming tool. Using associations in the movie, slaves are indeed encouraged to “Walk through the looking glass” – meaning they dissociate from reality. In the fairy tale, Alice enters a fantasy world where everything is magical, inverted and unstable, a world similar to the slave’s internal world, where everything can be modified by the handler.

Knowing this, the otherwise seemingly random and incomprehensible story of the video Wonderland starts making sense. If you have read other articles on this site, you can probably recognize and identify the meaning of these symbols, since they are found in countless other music videos. The constant use of the same set of symbols across popular culture is not a coincidence: A story is being told in veiled terms for those who have “eyes to see”.

The song itself speaks of disillusionment towards the magical world of fairy tales. This feeling is particularly true for mind-control victims, who are programmed using fairy tales by their handlers. The enchanting world of these stories is of course in sharp contrast to the horrid day-to-day reality of these victims, but they are programmed to recognize parallels between the stories and their disassociated inner-psyche. This is reflected in the first verse of Wonderland:

I’m not Snow White, but I’m lost inside this forest
I’m not Red Riding Hood, but I think the wolves have got me
Don’t want those stilettos, I’m not, not Cinderella
I don’t need a knight, so baby, take off all your armor

This verse describes the mental confusion (lost inside this forest), the control by handlers (I think the wolves have got me) and even the sexual abuse (Don’t want those stilettos) inflicted on MK victims by the very same people who tell them the fairy tales. Despite these references, one could argue that the song itself can be interpreted as wanting “true love” and not “make believe”. Well,  as always we can turn to the video for clarification… and in this video is is pretty clear, there is no love involved.

Filled with semi-subliminal flashes of powerful words and gruesome images, the video makes no allusions to a love interest, but plenty of references to mind control. Some of the phrases flashed on screen are actual mantras hammered into the heads of mind-control victims to confuse and traumatize them.

“Love is pain” is cited in Fritz Springmeier’s book “The Illuminati Formula To Create a Mind Controlled Slave” as one of the actual inversions used by mind control handlers on their victims. The slaves are actually programmed to perceive torture as a form of love. From the book: “The Programmer also takes into consideration what are called ‘power words’. Those are words which have specific meaning for the person. The programmers also love to use reversals and puns, for instance (…) ‘Life is death, and death is life’, ‘Pain is love, and love is pain.’”

This odd image flashes for about a half a second.

The video begins with a kind of ritualistic procession, where Natalia – dressed in red, the occult color of sacrifice – is forcibly lead somewhere by men in riot gear. The scene is peppered with short flashes showing the police beating people during a riot – placing the video in the context of an oppressive police state.

Natalia as Red Riding Hood … being lead to the wolves.

Natalia is followed by women dressed in black and holding a red flag, alluding to the ritualistic nature of this procession. She is taken to a  secured building where she is forced to attend a highly symbolic dinner.

Under the supervision of the police in riot gear, the dinner takes place on a checkerboard pattern floor – the Masonic ritualistic floor featured in countless other videos (for more information on the checkerboard floor read the article The Mystery of the Masonic Mosaic Pavement on Secret Arcana)

The dinner table itself is replete with symbols alluding to mind control. Some examples:

A cupcake laced with pills – mixing things children love with the cause of their abuse.

Limbless dolls on the dinner table. Like the arm-less mannequins seen in Zombie, these dolls represent the powerlessness of mind control slaves.

Dinner guests wearing white rabbit masks. In Alice in Wonderland, Alice followed the white rabbit down the rabbit hole, leading her to Wonderland. In Monarch programming the slave is told to “follow the white rabbit” to reach Wonderland – a code word for total dissociation. In the video, the white rabbit is swallowing a pill, telling Natalia to do the same.

In another scene, Natalia is shown being blinded by the hands of several unseen people. This symbolic image is also used in other mind-controlled themed videos to represent the handlers blinding and controlling the slave.

Top: Natalia Kills in Wonderland; Bottom: Rihanna in the short video advertising her perfume (see article on this advertisement here). Both videos contain heavy Monarch symbolism and both feature this disturbing scene.

The dinner is held under the supervision of police in riot gear. As seen in previous articles, there is a conscious effort to “normalize” the presence of these symbols of a police state in popular culture, hence their presence in numerous music videos and musical performances (see the article The Transhumanist and Police State Agenda in Pop Music).

NWO Police supervising the mind control process (the dinner) happening downstairs.

After “popping her pills”, Natalia becomes a little rowdy, prompting the cops to raid the place and savagely beat her up. She is then taken outside, where her sacrifice will take place.

A medieval-style executioner about the chop off Natalia’s head.

In the beginning of the video, Natalia was shown dressed in red (the color of sacrifice) and followed by women dressed in black (death and morning). Her ritual sacrifice was planned from the start. In mind -ontrol terms, the process caused Natalia to dissociate, go to Wonderland and “lose her head”. The transformation, which occurred on the checkerboard patterned floor, caused Natalia to lose control of her mind and of her actions. Through the trauma of oppression, drugs and physical abuse, Natalia has dissociated and gone to Wonderland, the only refuge to her trauma.

As the axe goes down, the screen rips and the word “Wonderland” appears in red, associating the head chopping with the true meaning of the word “Wonderland” in this song. The video ends with an inspiring image, meant to uplift a generation of young minds:

Natalia’s head chopped off with a bunch of flies around it. An adequate symbol of our pop culture.

In Conclusion

As pop star veterans lose their edge and their “magic”, newcomers sweep onto the scene to enchant pop fans all over again. Record labels and the Illuminati record industry as a whole are aware of the nature of the business, which is fueled by young people constantly seeking the next cheap thrill and the hottest trend.  In a matter of months, fans can go from “OMG she’s the best I’ll luv her forevz” to “Yawn, lame”.  So, in case people ever get tired of Lady Gaga, her record label is already grooming the next generation to serve up the Illuminati symbolism.

As the public becomes increasingly desensitized to the Agenda, videos keep marching towards more graphic and uncensored portrayals of mind control, which is arguably the most sadistic and evil practice in the world. Natalia’s videos can be read as a diary of a Monarch victim, where she describes a world dominated by oppression, torture, violence, sexual abuse and drugs. The horrific world of Monarch slaves is exposed as Natalia is abused and degraded by unseen forces, but the whole thing is presented as cool and fashionable.

Natalia does not currently enjoy the level of exposure of Rihanna or Lady Gaga. She however has everything it takes to become an industry favorite – a perfect candidate to lead a nation of Zombies to Wonderland.

Hollywood Actor Charlie Sheen Demands The Truth of 9/11 And Fights Back Against The illuminati

It begins. But will it end in disaster ? Let’s hope not and lets hope charlie makes it out alive.

Glenn Beck dons Freemasonic patch during broadcast

PrisonPlanet.com
April 8, 2011

It was on his Friday, April 1, program, but it was no joke. Glenn Beck, who has announced he will leave Fox News, was blatantly wearing a masonic emblem over his grey sweater, quite a conspicuous clothing accessory.

Included in the imagery is a Mason’s compass, a skull, a scroll & pen, and what appears to be 1681, a possible reference to the year Freemason William Penn founded Philadelphia (later the first capital of the United States) and Pennsylvania. Why would Beck choose this apparel? Is it an obscure reference to colonial founders or a tip-off that his allegiances lie with the secret society-elites who have long wielded power?

Image via FederalJack.com:

Beck wears the emblem during his broadcast, while hyping Islamophobia and wider mid-east war.

Glenn Beck has previously been seen sporting a Skull & Bones cummerbund, also a masonic symbol.

It is little different than Arnold Schwarzenegger, David de Rothschild and many others wearing such symbols while posing for magazines or other media– an act of flaunting their inclusion in elite circles and secret societies over the ignorant public who are not meant to understand.