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3 NATO Ships Sunk, 15 Senior NATO Personnel Held Captive In Benghazi

Leonor conveys the degree of censorship we are under, how little we are actually being told, from NATO atrocities to NATO losses.

The 15 NATO personnel abducted are talked about at 8 min 35.

 

 

Source: Pakalert Press

Lady Gaga’s “Judas” and the Age of Horus

By VC

Lady Gaga’s “Judas” video is a modern retelling of biblical stories, where Jesus and his disciples are portrayed as a biker gang. But don’t mistake the video for a Bible lesson as it twists and turns important scenes to give them a very different meaning. In fact, it can be argued that the video symbolically describes an important aspect of Gaga’s work and of society in general: a rejection of Christianity in order to make way to what has been called the Age of Horus. This article will look at the origins and the symbols found in Lady Gaga’s “Judas”.


When I first watched Judas, I immediately told myself:

“There is no use to write about this, it is simply too obvious”.

I mean Gaga is in love with Judas … and Judas betrayed Jesus. It is a direct continuation of Gaga’s anti-Christian and pro-Illuminati theme through symbols, as described in previous articles. What can I add to it that hasn’t been said? So I ignored the video … until I began receiving e-mails. Tons of them. Many people did not understand the message of the video, some did not get the Biblical references and the way they were twisted to communicate a new message; other simply did not know who Judas was. As it is symbolic on many levels, I realized that decoding this video could help many readers — who I call my “Little Vigis” (No.). The video doesn’t only summarize the underlying spiritual message found in Gaga’s work, but it describes an important phenomenon happening in society in general – a phenomenon that is part of the Illuminati agenda: the “de-holyfication” of traditional religions.

In her recent interviews, Gaga has given several interpretations of the song. In an interview with E! Online she said that it was not meant as an attack of Christianity:

“I don’t view the video as a religious statement, I view it as social statement. I view it as a cultural statement.”

On Amp Radio Gaga explained that:

“It’s about falling in love with the wrong man over and over again.”

In another interview with Google, Gaga went deeper into the philosophical theme of the song, which is in accordance with the teachings of some occult schools we’ll describe later.
“The song is about honoring your darkness in order to bring yourself into the light. You have to look into what’s haunting you and need to learn to forgive yourself in order to move on.”

The videos for Gaga’s songs Alejandro (analyzed here) and Born This Way (analyzed here) communicated specific spiritual messages through meanings and symbols. Traditional religious symbols are stripped of their “holy aura” while other symbols, inspired by those of the Illuminati, are introduced and glorified to her young viewers. Of course, this phenomenon does not happen only in Gaga’s works, but is a trend in mass media in general. Aleister Crowley, an occultist who remains an incredibly influential figure in the entertainment industry, claimed the Age of Horus, a new stage in human history, would be defined by the abandonment of traditional religions in order to embrace a new kind of spirituality (read the full article on Crowley here). The same vision for a “new Aeon” is shared by the world elite, where its plans for a New World Order heavily rely on the existence of a single world religion, based on a specific set of values that are compatible with is Agenda. Mass media plays an important role in this paradigm shift – and the results are astonishing. In less than a century, the Western World has witnessed a drastic decline in religious faith, especially Christian. Never such a profound societal change happened in such a short period of time. Of course, Gaga herself is not responsible for this drastic shift, but Judas, in its meaning and symbolism, perfectly describes the transitional period we are going through, as society is taken to, in Crowley’s words, the Age of Horus.

It is therefore in this social and religious context that Judas was released. First seen riding with Jesus, Gaga goes into a transition and falls for Judas, the man who ultimately caused the death of Jesus. Gaga’s conversion is symbolic of society in general, where the altruistic tenets of Christianity have been replaced by a more “self-celebrating” philosophy – embodied in the video by the character of Judas. In short, the story symbolizes the passage towards Crowley’s Age of Horus, and Gaga’s “Eye of Horus” makeup effectively seems to emphasize this point. As seen in previous articles, Gaga is no stranger to Crowley’ philosophy (her Manifesto at the beginning of Born This Way is heavily inspired by his Thelema). This philosophy is, in turn, the basis of the new kind of spirituality that is sold to the masses through media.

To explain Judas, I need to “get Biblical” because the song and the video are heavily inspired by Biblical verses. So, before we get into it, let’s start by understanding the main character: Judas.

Who was Judas?

Judas Iscariot was one of Jesus’ twelve disciples. Due to his money-management skills, he was put in charge of the group’s money box. Despite having chosen him to become his follower, Jesus knew from the start that Judas would eventually betray him. At one point he even refers to him as “the devil”.

70 Jesus replied, “Didn’t I choose you, the twelve, and yet one of you is the devil?” 71 (Now he said this about Judas son of Simon Iscariot, for Judas, one of the twelve, was going to betray him.)
– John 6:70-71

During his time as a disciple, Judas had some “issues” with Jesus, causing him to stir up trouble within the group. An important event involving Judas happened during the washing of Jesus’ feet by Mary Magdalene using expensive ointments. Offended by what he called a waste of money, Judas protested and even caused other disciples complain. This is one of the Biblical passages that was recreated (with a significant twist) in Gaga’s video:

12:1 Then, six days before the Passover, Jesus came to Bethany, where Lazarus lived, whom he had raised from the dead. 2 So they prepared a dinner for Jesus there. Martha was serving, and Lazarus was among those present at the table with him. 3 Then Mary took three quarters of a pound of expensive aromatic oil from pure nard and anointed the feet of Jesus. She then wiped his feet dry with her hair. (Now the house was filled with the fragrance of the perfumed oil.) 4 But Judas Iscariot, one of his disciples (the one who was going to betray him) said, 5“Why wasn’t this oil sold for three hundred silver coins and the money given to the poor?” 6 (Now Judas said this not because he was concerned about the poor, but because he was a thief. As keeper of the money box, he used to steal what was put into it.) 7 So Jesus said, “Leave her alone. She has kept it for the day of my burial. 8 For you will always have the poor with you, but you will not always have me!”
– John 12:1-8

Shortly after this incident, Judas meets with the chief priests of Israel – the ones who were trying to “bring down” Jesus – and strikes a deal. He would betray and hand over Jesus to the Pharisees and the police force in exchange for thirty silver coins:

26:14 Then one of the twelve, the one named Judas Iscariot, went to the chief priests 15 and said, “What will you give me to betray him into your hands?” So they set out thirty silver coins for him.
– Matthew 26:14-15

During the Last Supper, Jesus tells his disciples that one of them would betray him and reveals it would be Judas:

13:21 When he had said these things, Jesus was greatly distressed in spirit, and testified, “I tell you the solemn truth, one of you will betray me.” 22 The disciples began to look at one another, worried and perplexed to know which of them he was talking about. 23 One of his disciples, the one Jesus loved, was at the table to the right of Jesus in a place of honor. 24 So Simon Peter gestured to this disciple to ask Jesus who it was he was referring to. 25 Then the disciple whom Jesus loved leaned back against Jesus’ chest and asked him, “Lord, who is it?” 26Jesus replied, “It is the one to whom I will give this piece of bread after I have dipped it in the dish.” Then he dipped the piece of bread in the dish and gave it to Judas Iscariot, Simon’s son.
– John 13:21-26

At this moment, it is said that Satan possessed Judas:

13:27 And after Judas took the piece of bread, Satan entered into him. Jesus said to him, “What you are about to do, do quickly.”
– John 13:27

Judas then leads the chief priests and the police to Jesus, identifying him with a kiss:

14:43 Right away, while Jesus was still speaking, Judas, one of the twelve, arrived. With him came a crowd armed with swords and clubs, sent by the chief priests and experts in the law and elders. 44 (Now the betrayer had given them a sign, saying, “The one I kiss is the man. Arrest him and lead him away under guard.”) 45 When Judas arrived, he went up to Jesus immediately and said, “Rabbi!” and kissed him. 46 Then they took hold of him and arrested him.
– Mark 14:43-46

After Jesus’ condemnation, Judas regretted his betrayal and sought to reverse his actions by returning the money, but it was too late and he commits suicide:

27:3 Now when Judas, who had betrayed him, saw that Jesus had been condemned, he regretted what he had done and returned the thirty silver coins to the chief priests and the elders, 4 saying, “I have sinned by betraying innocent blood!” But they said, “What is that to us? You take care of it yourself!” 5 So Judas threw the silver coins into the temple and left. Then he went out and hanged himself.
– Matthew 27:3-5

Most of the passages described above are recreated in the video, but they are given a twist, where roles and symbols are reversed, effectively changing the fundamental meaning of the Biblical stories. As a result, the video ends with a very different “moral of the story”.

Gaga as Mary Magdalene

The video portrays Jesus and his disciples as a biker gang riding around with skull-and-bone insignias on their backs (nice touch). Gaga is riding with Jesus, playing the role of Mary Magdalene.

Although it is not clearly specified in the Bible, Mary Magdalene is said to be the prostitute who was about to get stoned to death by an angry mob until Jesus came along and said: “Y’all country-ass, donkey-riding peasants better drop them rocks and go on home before things get REAL ugly up in here”. Wait, that’s what Samuel L. Jackson would have said. Jesus actually said: “Let he who is without sin cast the first stone”.

At the very end of Judas, Gaga is seen stoned to death, insinuating that Jesus was not there to save her.

Gaga as Mary Magdalene stoned to death. In Judas, Jesus has failed to save Gaga. Also, does this scene portray Gaga being persecuted by people who are offended by her music?

So Gaga plays the role of Mary Magdalene where Magdalene is not only the friend and disciple of Jesus, but his lover. This portrayal of Mary Magdalene as Jesus’ mate became popular in the past few decades with books such as The Jesus Scroll (1972), Holy Blood, Holy Grail (1982), The Gospel According to Jesus Christ (1991), The Da Vinci Code (2003), The Two Marys: The Hidden History of the Mother and Wife of Jesus (2007); and by films like Bloodline (2008). These alternative accounts on Jesus Christ’s life originate from modern interpretations of Gnostic and apocryphal texts (mainly the Nag Hammadi) where Magdalene is described as Jesus’ “favorite disciple” and “companion”. An interpretation of the apocryphal Gospel of Philip even alludes to Jesus “often kissing Mary Magdalene on the lips”.

Some occult circles believe that Jesus lived well beyond the age of 33 (a number they believed was selected for symbolic reasons). Some claim that Jesus married Mary Magdalene with whom he had a daughter named Sarah. Some even claimed that they moved to Southern France, where they started the fabled Merovingian Bloodline.

Judas therefore portrays Mary Magdalene from this angle, where Gaga is the wife of Jesus. However, she only has eyes for Judas.

The Video

The video begins with Gaga riding with Jesus, yelling in his ear “Judas Juda-ah-as”, almost as if it was an incantation. Usually, when your girl yells the name of some other dude right in your ear, it means something’s up.

From a spiritual point of view, Gaga was “riding with Jesus” – representing the embrace of Christianity – until she fell in love with Judas – a force that is opposed to it. But what kind of force are we referring to? Is it the elite’s peculiar brand of occultism, mainly represented by the symbol of the Eye of Horus?

Yes, as stated in previous articles, hiding one eye refers to the Eye of Horus. I don’t see how Gaga can make this clearer for you.

In the video, Jesus is shown doing good deeds and healing people while Judas is pretty much a douche bag, getting drunk and grabbing women all over the place. Yet Gaga is in love with him. The character of Judas is an embodiment of Crowley’s saying “Do What Thou Wilt” – or Lavey’s Church of Satan concept of hyper-egoism, where the fulfillment of one’s desires is seen as a basic requirement to true enlightenment. Gaga is seduced by and identifies with the values embodied by Judas’ and is therefore in love with him. By doing so, she turns her back on Jesus’ altruism and selflessness.

The recreation of Mary Magdalene washing of Jesus feet…with the addition of Judas drinking a beer with a non-approving look.

One scene recreates Mary Magdalene’s washing of Jesus feet which, as seen above, made Judas angry and jealous. In the video’s version of the story, Judas is however right there with Jesus, his naked feet next to his, apparently also ready to get this treatment reserved for great people. Judas is therefore not simply a disciple of Jesus, but his equal. Afterwards, Judas, being the self-centered jerk that he is, spills his beer on Gaga … but Gaga loves him that way. The first lyrics of the song describe this reversal from the Biblical story, where Judas is the one getting washed by Gaga.

When he calls to me, I am ready
I’ll wash his feet with my hair if he needs
Forgive him when his tongue lies through his brain
Even after three times, he betrays me

“I’m on your side Judas, you’re the best”.

Later in the video, there appears to be some kind of showdown between Jesus and Judas. Gaga – who is still Jesus’ lover – goes to Judas holding a golden gun, apparently to kill the one who would betray her spouse. Instead of a bullet, the gun “shoots out” lipstick. Gaga puts it on Judas’ mouth as if saying “go ahead and kiss Jesus, you have my blessing”.

Gaga does not simply reject Jesus, she is an active agent in his bringing down. One of her eye is hidden, confirming that this is part of the Illuminati agenda (bringing down religions).
Judas giving Jesus the kiss of death.

The song also describes Gaga’s participation in “bringing Jesus down”:

I’ll bring him down, bring him down, down
A king with no crown, king with no crown

The “king with no crown” is more than likely Jesus, who is wearing during the entire video the Crown of Thorns. In Biblical accounts, that painful crown was put on his head by soldiers before his crucifixion in order to humiliate the one who claimed to be the “King of the Jews”.

Right after Gaga’s “official” taking sides with Judas, she is shown in a symbolic “cleansing” or “baptizing” scene.

Is this a reference to the great whore of Babylon who is said to “sit on many waters”? There is another reference to the Great Whore in the video.

So, despite Jesus’ virtuous deeds, Gaga is attracted to Judas. The Betrayer is portrayed as a rowdy, egoistical and devious being, which is not surprising since it is stated that Judas was possessed by Satan at the time he betrayed Jesus. Judas personifies the antithesis of Jesus’ selfless ways and represents the self-centered philosophy described by modern occultists such as Aleister Crowley whose philosophical tenets, describes the self as “the center of the universe”. Anton Lavey’s Satanic Bible describes the need for a “new religion” based on man’s earthly needs.

Past religions have always represented the spiritual nature of man, with little or no concern for his carnal or mundane needs. They have considered this life but transitory, and the flesh merely a shell; physical pleasure trivial, and pain a worthwhile preparation for the “Kingdom of God”. How well the utter hypocrisy comes forth when the “righteous” make a change in their religion to keep up with man’s natural change! The only way that Christianity can ever completely serve the needs of man is to become as Satanism is NOW.

It has become necessary for a NEW religion, based on man’s natural instincts, to come forth. THEY have named it. It is called Satanism.
– Anton Lavey, The Satanic Bible

Gaga, playing  Mary Magdalene, is attracted to Judas’ ways. She not only “converts” to his side but also effectively brings Jesus down. This attraction to the “dark side” is summed up in these simple words:

I wanna love you,
But something’s pulling me away from you
Jesus is my virtue,
Judas is the demon I cling to

Other Details in the Video

Other apparently meaningless symbols in Judas help decoding the full meaning of the video.

Why does this purple garb particularly stand out? Is this a reference to the Whore of Babylon who is said to be “clothed in purple and scarlet colour, and decked with gold and precious stones and pearls”? Crowley was also fascinated with the Great Whore, naming his scarlet women “Babalon”.
Why is the weapon randomly shown in the video? Is it because it is called a Morning Star, a name attributed to Jesus and…Lucifer?
While Gaga is singing “I’m in love with Judas” one of the dancers is wearing a shirt bearing an inverted pentacle surrounded by Hebrew script. This symbol is used the Sigil of Baphomet, the symbol identifying Lavey’s Church of Satan.

In Conclusion

Going beyond  simple shots at Christianity for pure shock value, Judas summarizes the underlying spiritual messages found in Lady Gaga’s works which are, in turn, a reflection of the elite’s philosophy that needs to be taught to the masses. Whether it is intentional or not, Judassymbolizes the spiritual shift of humanity as it enters what is  “the Age of Horus”. Crowley considered the last two thousand years to be the Age of Osiris, ruled by Christianity’s “emphasis on death, suffering, sorrow and the denial of the body”. He however considered this era to be necessary to give birth to the Age of Horus, whose Aeon would lead humanity to a new kind of spirituality. Other esoteric schools describe this shift in different words. Some describe it as the Age of Aquarius taking the place of the Age of Pisces, which was dominated by Christianity (they say Jesus was associated with the symbol of the fish because he ruled the Age of Pisces). Is this the reason Gaga’s words refer to the “future of culture”?

In the most Biblical sense,
I am beyond repentance
Fame, hooker, prostitute wench vomits her mind
But in the cultural sense
I just speak in future tense

Whether the general population subscribes to these esoteric predictions or not, it certainly is “following the script” that was laid out. The same way Lady Gaga was eyeing Judas while riding with Jesus, society as a whole has let go of the core tenets of Christianity to embrace a philosophy that is compatible with Crowley’s Thelema. Even if most people do not even know what is the Thelema, they live by it on a daily basis. That being said, organized religions and the elite are not necessarily opposite forces. Religions and religious sects have often been used as tools of the political elite to divide-and-conquer countries and to oppress and to manipulate the masses. Times have however changed and, today, the Illuminati is looking to unite the world under a single world government and a single world religion. This religion’s values are based on egoism, materialism and the sexualization of pretty much everything. Most music videos, movies and TV shows subtly celebrate these values. In other words, they want you to be in love with Judas.

 

Video: Agenda 21 For Dummies

Source : Pakalert Press

Agenda 21 explained very well. Including implications it will have on humanity. Opinions within the video come in some cases from those that were in on the negotiations. Truly an interesting watch.

For more information about Agenda 21 Visit MORPHcity

Josie and the Pussycats: Blueprint of the Mind Control Music Industry

Source : Pakalert Press

By Vigilant

“Josie and the Pussycats” is a “girl band movie” aimed at children and young adolescents, especially young girls. At first glance, the flick seems to be one of those generic, God-awful teen movies. However, a closer look reveals how its overall tone and message are in sharp contrast to stereotypes of the genre. “Josie and the Pussycats” is indeed an acerbic critique of a morally bankrupt music industry. The most surprising thing about this 2001 movie is its frighteningly accurate predictions regarding today’s pop music and its Illuminati agenda: mind controlled artists, hypnotized masses, subliminal messages… it’s all there. This article will examine the movie’s themes and their relation to today’s music business context.

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Josie and the Pussycats was released in 2001 by Universal. In music industry terms, 2001 is ancient history. Just to put you back in the context of the era: N’Sync were still singing Bye Bye Bye, Cisco wanted to see your thong-th-th-thong-thong-thong and everybody was wondering Who Let the Dogs Out. Teens were going crazy for boy bands like the Backstreet Boys and everybody was dancing to Ja Rule. So, yes, it was a long time ago.

Josie and the Pussycats came out during that period, but it seems to foretell the death of the era. The movie starts with members of the boy band “Du Jour,” a spoof on the Backstreet Boys, dying in a forced plane crash. The group is then replaced by a girl band with a semi-punky attitude and non-threatening pop rock music. This pretty much reflects what actually happened in the years following the release of this movie: N’Sync and the Backstreet Boys disappeared from the preteen music market and were replaced by Miley Cyrus, Hilary Duff, the Jonas Brothers, and so on.

The Jonas Brothers’ semi-punky attitude and non-threatening pop rock music replaced the Backstreet Boys. They’re the male Josie and the Pussycats.

Despite the movie’s apparent lightheartedness, it displays a harsh and sustained judgment of the music business. It is also severely critical of the state of America’s youth. Teens and preteens are constantly depicted as a herd of brainless drones who are incapable of independent thinking and prone to hysteria.

Preteens going crazy for the latest manufactured pop sensation.

But behind the usual “OMG these big corporations are so corporation-y” criticism, Josie and the Pussycats tackles, in an odd and humorous way, some of the darker sides of the music industry. These include the mind control of the masses and entertainers, and even the assassination of artists who rebel or ask too many questions.

The Boy Band That Knew Too Much

As stated above, the movie starts with Du Jour (the boy band “of the day”) enjoying their enormous success. In their private jet, the vain and half-witted group of singers complain about petty things to their record executive Wyatt, who acts more like a legal guardian. Or, in mind control terms, a handler.

The band then asks Wyatt about strange sounds they heard in the acapella tracks of their latest song… and they want some answers.

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Du Jour asking their exec Wyatt the purpose of the weird background tracks found on their latest song.

Wyatt’s answer is quite extreme, for he and the plane’s pilot strap on parachutes and jump off, leaving Du Jour to die in what is afterwards called an “accidental” plane crash. This has actually happened in reality numerous times. Artists who start uncovering the darker side of the entertainment business, who ask too many questions, or worse, who plan to reveal these things to the public, are often dropped, publicly humiliated and scorned. And, as in Du Jour’s case, they are also sometimes killed for displaying such behavior.

Mega Records

Du Jour was signed with the world’s biggest record label, Mega Records. We soon learn that the company is much more than a record label.

Mega Records is, in fact, “in business” with the American government and the FBI to brainwash the “most influential demographic in the entire population”: the youth. While giving a tour of the label’s headquarters to visitors from foreign countries (who are there to learn how it’s done), Fiona, the eccentric CEO of Mega Records, has this to say:

“I’m sure you’re wondering why agent Kelly and the United States government would be so interested in what appears to be a record company. Well, I’m about to show you why.”

Fiona’s office then turns into an elevator and starts descending into a secret underground facility.

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Fiona, the CEO of Mega Records, giving a tour of the secret underground headquarters of the label.

The label’s headquarters is, in fact, a control center for manipulating the minds of the American youth. It creates new fads, decides everything from “what clothes are in style to what slang is in vogue,” with the ultimate goal of making the youth continually spend money on one temporary trend after another.

Reality is, of course, more complex than that. Trends are (probably) not created in an underground control center in New York City. There is however truth in this near-cartoonish depiction of the music business. The entertainment industry is indeed connected to “higher powers” (as personified in the movie by the FBI agent) in order to sell the youth on the economic elite’s agenda. Popular culture not only attempts to sell products and brands to the audience, but also ideas, values and attitudes. In previous articles on the Vigilant Citizen, we have established that today’s agenda focuses on concepts such as transhumanism, Illuminati symbolism, premature sexualization, police state/militarization, and so forth.

Continuing her tour, Fiona says:

“But how, you may ask, can our operation be so effective? Sure these kids have brains like play dough, just waiting to be molded into shape, but something else must be going on, right?”

Fiona then explains that her label inserts subliminal messages in pop music in order to manipulate the youth into buying products and ideas. The label thus goes beyond the simple advertising of products. It conceals hidden messages in the music that bypass the audience’s conscious minds in order to directly reach their subconscious.

After the presentation, a foreigner asks Fiona “How can you control the rock bands? What if one of them discovers you are placing hidden messages in their music?” This is what she answers:

“Ever wonder why so many rock stars die in plane crashes? Overdosed on drugs? We’ve been doing this a long time. If they start to get too curious, our options are endless. Bankruptcies… shocking scandals… religious conversions!”

There are numerous real life examples of celebrities who have been silenced, one of the most shocking and evident being Michael Jackson. After decades of being controlled by the entertainment business, he attempted to break free in the late 90s. He even spoke out about it (see the article “When Insiders Reveal the Ugly Side of the Entertainment Business“). He then endured years of scandals, trials, public ridicule and financial difficulties. Michael Jackson still managed to keep singing and dancing, even organizing a world tour for 2010.  Since previous attempts to destroy him failed, MJ got silenced… by force. So, it would seem that ten years after the release of this movie, shady celebrity sacrifices are still happening.

New 3D Technology

In an attempt to “take things to the next level,” Mega Records develops a new technology called “3DX Surround Sound.” This new technology “makes the music feel like it is happening all around you.” All the kids who attend Josie and the Pussycat concerts or watch them on TV have to purchase this headgear in order to hear the music.

Hypnotized, mind controlled teens testing the new 3DX Technology in a Mega Records lab. Note that the girl in the middle is a “free thinker” that got kidnapped by the label in order to have experiments conducted on her.

Back in real life, we are seeing the commercialization of a very similar technology…

3D glasses are today’s hottest trend. They are required to view 3D movies, TV shows and video games. Will this 3D technology bring new brainwashing possibilities? You betcha!

Josie and the Pussycats: From Nobodies to Sex Kittens Programming Stars

After the killing of Du Jour, record exec Wyatt is instructed to find a new band as soon as possible. The movie makes it clear that talent is absolutely irrelevant. The label just needs a good-looking group and it will take care of the rest. Then we are introduced to The Pussycats… and their lack of fans.

The Pussycats performing in a bowling alley, with nobody listening to them. Most overnight successes start from humble beginnings, until the industry takes them, changes them and sells them to the public.

The rock band comprises three young ladies who wear leopard ears as a prop. It is quite obvious that nobody wants to hear their music and even their manager Alexander doesn’t seem to like it.

After hearing about Du Jour’s plane crash on television, The Pussycats leader, Josie, is motivated to “get out there” and obtain a record contract. At the same time, Wyatt is driving around in the small town of Riverdale, looking for a band to sign. Then it happens.

Wyatt literally runs into The Pussycats crossing the street. Some dudes coincidentally walk behind them holding a sign with “#1 Band in the World” on it. That’s pretty much all Wyatt needed to see to sign them.

Wyatt sits down with the girls and tells them how happy he is “to be sitting down with The Pussyhats.” He obviously knows nothing about the band and does not care. He then offers them a record contract with Mega Records. Josie wonders briefly why her band is being offered a contract by a label that did not even hear them play. However, her hunger for fame dispels all her doubts and the band signs the contract.

The Pussycats’ story is classic: a broke, struggling band attempts to become big by performing gigs; a record label offers a shady contract; the desperate and fame-hungry band signs, not knowing what they are getting into. For the band, it’s either taking a chance and signing the contract or going back to eating Ramen noodles in a crappy apartment. So, they sign the contract.

Right after they sign, the label subjects the group to a complete metamorphosis: a make-over to “sexy them up,” and a name change, from The Pussycats to Josie and the Pussycats. The group is now completely owned by the label. It has lost control of its image, its name and even its music, as it has been modified to contain subliminal messages. But those changes pay off, as they become a #1 band in less than a week.

Josie and the Pussycats partying in Billboard’s #1 spot
Josie and the Pussycats looking at the “Megasound 8000.” On top of “digitally enhancing” the singer’s voice (is it the ancestor of Auto-Tune?), the machine inserts subliminal messages in the music in order to convince listeners they love the band and to sell them products and ideas.

Mind Control

The movie also contains numerous references to mind control programming. As stated in previous articles, numerous celebrities have been subjected to mind control in order for them to become more easily manageable by their handlers. In bolder words, they become slaves of the industry.

From wearing cute little kitty ears, the group is now draped in feline prints, a mind control meme signifying a subject’s beta programming, also known as Sex Kitten programming. The fact that  they wore the ears before they got famous might signify the group’s predisposition to this kind of programming.

Monarch mind control includes numerous types of programming, one of them being Beta (or Sex Kitten programming). It is the type of programming that is the most used in the entertainment industry and it is coded with references to “cats,” “kitties,” “pussycats,” and also with the wearing of feline print clothing. This might explain why the producers chose to base the girl band on the Archie Comic of the same name. The symbolism was just too perfect.

The movie was based on this Archie Comic.

So, in less than a week, with the help of subliminal messaging, the group produces a #1 hit and sells out a huge concert. The group even earns the honour of meeting the label’s CEO, Fiona.

Fiona’s “hang out” room. Notice the painting on the left. Yes, this was years before the creation of the persona named Lady Gaga.

The girls soon realize that Fiona acts in a strange, dissociative matter, as if she were herself under some sort of mind control.

After the meeting, Fiona spies on the group using hidden cameras and learns that two members of the group, Melody and Valerie, are creeped out by her and flat-out do not trust her. So she decides to go with another tactic we often see in the music business: to keep the star of the group and drop the other band members.

In order to carry out this operation, the label proceeds to use mind control on Josie by making her listen to subliminal messages in her own music. The process completely changes her attitude and personality: Josie turns from a sweet and down-to-earth girl into an attention-hungry diva who is convinced that her friends are worthless. This scene subtly describes the hidden, mind control aspect that happens in the music business: label execs use mind control programming to create an alter persona in Josie, which they can control and manage at will.

Josie, in a dissociative state due to her mind control. Everything is “blurry” and “foggy” around her. She is completely dressed in feline prints, still representing her “sex kitten” programming.

Fortunately, Josie manages to snap out of her hypnotic state and learns everything about the 3D, mass mind control concert. Unfortunately,  her band mates Melody and Valerie have been kidnapped by the label and Josie must perform in the mind control concert to avoid the “accidental killing” of her friends.

Fiona shows Josie a pre-taped segment of MTV News announcing the “accidental death” of Melody and Valerie. This is a good example of media manipulation in order to protect the elite’s interests.

I will spare you the details of the ending, but I can tell you that it involves cat fights and the girls playing generic pop rock in front of a crowd that has learned to think for itself. Thank you Josie!

In Conclusion

The least we can say is that Josie and the Pussycats is an odd movie. It strongly criticizes some aspects of the entertainment business while perpetuating more of the same. One example of this paradoxical situation is the ridiculous amount of product placements in the movie.

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As a running gag, the entire movie is filled with over-the-top product placements. Directors say no money was taken for these placements…

Some of those placements are pretty hilarious (see the box of Tide above), but in the end they too perpetuate the market ideology. Imagine me repeatedly punching someone in the face. Then when asked to stop, imagine me replying: “Can’t you see that I’m pushing this face punching to an absurd level? You’re obviously not getting the brilliant second-degree message here, I’m actually denouncing violence! So sit there and think about violence in society while I keep pounding this guy’s face.” Despite what is being said, the fact remains that pounding someone in the face is itself perpetuating violence… and this movie keeps punching the viewers in the face with product placements.

In fact, the entire movie’s message gives the same odd feeling. Its clever “behind-the-scenes” look of the music industry makes the viewers feel they’re “in on the joke,” making them comfortable enough to let their guard down. However, at the end of the day, the young viewers are still the butt of the joke: all of the sleazy and gimmicky tactics are being used on real-life viewers in order to sell them mind controlling music. Furthermore, the movie fictionalizes some of the darker aspects of the entertainment business, for example by making mind controlled artists something that one can “only see in the movies.”

At the end of the film, Mega Records’ mass hypnosis plans are uncovered, and the FBI (who funded the project) immediately attempts to dissociate from the label, even arresting Fiona “on charges of conspiracy against the youth of America.” The agent then privately says to Fiona: “We were shutting down your entire project anyways… we found out that subliminal messages work much better in movies!” This is the movie’s way of saying that even though it has let you in on the joke, the movie is still part of the plans. In other words, the biggest joke in the movie… is you.


Video: Insider Confirms Suspicions About the Elite’s Plans

Source : Pakalert Press

Project Avalon

MUST SEE! Absolutely fascinating interview with an insider who reveals the elite’s plans and motive for culling the population, the laughable misdirection of the alternative media, the very serious manner by which mega-food companies control all the food, the fact that we must view space more as an ocean with living creatures, the incredible technology possessed by the underground elite, the absolute confirmation that extraterrestrials indeed exist, and the idea of time being a silly mind construct.

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